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Merlion
03-20-2006, 07:56 PM
It is high time security is improved over valuable statues left out in the open. But electronic tags and bar codes can be found and removed.

Electronic tags plan for valuable sculptures

HIGH-tech tracking devices may be fitted to several of Henry Moore’s most famous outdoor works in the south west of Scotland following the theft of two of the artist’s sculptures in recent months.

The privately owned Glenkiln estate in Dumfries houses four of Moore’s works, including the world-renowned 1952 piece King and Queen, as well as bronze sculptures by Jacob Epstein and Auguste Rodin.

The work King and Queen, designed to be stumbled across rather than visited on the 3000-acre estate, was, in 1985, attacked by vandals who sawed off the heads of the figures. Moore’s late friend Sir William Keswick considered removing the works completely after this episode.

Although the heads were finally recovered, the theft of Moore’s £3 million Reclining Figure in Hertfordshire last year, and subsequent theft of another outdoor sculpture in London shortly after, has prompted fears for the pieces at Glenkiln.

Land manager on the estate Thomas Florey said the current owner was considering using tracking devices and barcodes to protect the historically important works.

“There is very grave concern, particularly after the theft of one or two of the Henry Moore statues in England, and we have reviewed the whole security arrangement,” he said. “We take certain steps already and are in very close liaison with the local police who go out there to keep an eye on things when they can.

“We have definitely increased our security but there’s only a certain amount you can do out on the hillside.”

Security of the Glenkiln statues will be one of the themes at a major conference to be held at the University of Glasgow Crichton Campus in Dumfries later this month. The Art In The Land symposium will explore the role of art in the landscape and look at developing a unified strategy to promote and protect the region’s rich artistic heritage.[snip]

Click here (http://www.sundayherald.com/54714) for more details.

JAZ
03-20-2006, 08:58 PM
Good footnote, Merlion. I think someone earlier brought up the idea of video surveillance cameras, which seems like a good thought.
It's really pathetic that people have to worry about such things.
JAZ

ironman
03-21-2006, 09:43 AM
Yeah, I can hear the conversation now.
"Would you like to purchase that sculpture?"
"Well, I like it a lot, it's a beautiful piece of sculpture but that bar code tatooed on the ass of the figure on the left bothers me."
"That's to help prevent theft"
"I don't care, I like my asses without bar codes, so I don't think I'll be buying that piece any time soon. Do you have anything to show me with an electronic tag?"
"Yes we do but that tag is in the shape of a nose ring on that bust of Homer that you saw in the other room."
"Ooh, I like that, I'll take it."
Have a nice day,
Jeff

iron ant
03-21-2006, 11:41 AM
is this the newest measure of sucsess,having your sculpture stolen,only to be hocked to some a hole that could probally afford it to start?I am going to have a show travel around the state off GA for a year,and now you got me a little parinoed.I was worried about vandels,but never thought about someone actually stealing sculpture?Insurance I guess is the only thing to ease the mind a bit,but not much......IA Oh Jeff that was pretty funny and scary at the same time.....

obseq
03-22-2006, 02:16 PM
I still can't get over the idea that the theft of such large-scale work would go undecteded.

This isn't like swiping a pack of cigarettes.

Cameras? Security guards, perhaps? Sheesh... :rolleyes:

philpraxis
03-28-2006, 05:22 AM
"Hmm... except for Calder's work, we could maybe fit some semtex in the sculpture body and connect it to a mercury detonator so that when it moves, boom, it kills the thieve!
Hmmm.... ok, the sculpture is then destroyed, but hey, what would you do not to have sculpture thieves coming back stealing your stuff" -- Mr. Security ;)

That's clearly a problem for well known artists. The vandalism part is also a big problem. I'm going to exhibit in a few month in Paris at a Sculpture Park which cannot be really secured...
From our experience, even taggers (not to say graphers) who are quite active in the area, tend to respect a LOT the artwork being exposed. Like not a single tag on the 20-30 sculpture exposed there for month & years.