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underachiever
11-24-2005, 10:25 AM
Now the school term's over and school assigned work's out of the way, I'm becoming more and more aware of how lost I am as a sculptor. What is sculpture to me? Why do I do sculpture? What kind of sculpture do I intend to make? When I had just entered art school, I had views on the kind of art I wanted to make. It had to mean something, point out the social ills of the world and champion the rights of god knows who and god knows where. General disdain and fingerpointing. So I spent most of my first year on ready mades and concept heavy works that screamed at people. Nothing tasteless, but I wasn't exactly the happy fairy for a while.

As time passed, I began to lose interest in screaming through my art and became more interested in sculpture as sculpture. Things like form and space seemed infinitely more important then the tendency to compare human beings to pigs or drugs to pacifiers. The more I studied, the more into form and technique I go to. I still occassionally touch on social issues every now and then, but I tend to be a little laid back now, still looking for something that I would really want to work with. And with that, the awareness of how pathetically behind I was at techniques and finishing, so much so I was considering redoing my second year. Of course, the fact that I was rapidly aging was also extremely worrying.

Sculpture. All I really think about it, is that it has to be fun. Enjoyable to look at, touch, experience. I want to make sculpture that everyone can enjoy by simply being in the same room with it, but not at the expense of my own enjoyment. I want, in a way, to make emotive forms, but that's it. Nothing more. Granted, not all sculpture is enjoyable. Some of it is breathtaking, making me feel useless in my awe, others are completely and totally useless, which is fairly disappointing at times. Though more often these days I find young artists around me either attempting to force their concepts on abstract forms insisting that this curve means that and that line means this or trying to shock the viewer into submission with some grosquete and repulsive thing that coerces one into thinking "It must be art." simply by virtue of being what no sane person would place in display.

But I don't want to make things like that. It cheapens the works and makes a little part of me somewhere whine.

So what do I say when someone actually asks me "Dude, what's your art about?' or "Explain your concept/intention." I'm dumbstruck. "I want to make fun 3D shapes" doesn't seem to cut it, and even then is that really all I'm about? I mean, I like art theory. I like gabbing about these things. It's just that my art doesn't seem to really need much gabbing about.

So I decided to post my thoughts online and see if I got anything back that I could think on. It's like fishing, really, only most times, the fish climbs onto your boat and beats you up and makes disparaging remarks about your decor.

clifton
11-25-2005, 07:03 AM
Hi underachiever,

I'd like to make a comment on your post.
We're worlds apart in some ways ...
me born and still live in rural fishing area, you in a bustling city ....
you talk about rapidly aging while still a teen, me thinking I'm only half way through my adult years at 53 ...
me teaching myself everything I could about art theory, history, composition and techniques, never a formal class, just books, video, audio, documentaries, internet, etc., you in art school- well ...
you get the idea ...
But the emotions you express are easy for me to identify with.

I suspect anyone who never feels a little lost has not spent a lot of time thinking about what they are doing and why. I also suspect most artists do that a lot. In my own life, so far, such times have been a used to expand my areas of interest, go in new directions, or learn new techniques.

I think it's just a natural result of being in a field where you don't get to follow a certain path, you have to create it.

As to answering the question "What is my art about" you may find that changes every decade or so, and you have to update the resume. That just evolves out of what you have created, so far.

Regarding the "do I make pretty and decorative, or strong social statements", I personally feel you need to just sculpt what you feel like doing. Follow your interests, express your ideas. Leave it to others to judge it's relevance or importance. If it's important to you, you got it made. You will be better able to stand as an individual against the onslaught of critics and dealers.

Now about those fish ... sounds like you have been going after monk fish. Try herring or something. They don't notice the decor. :)

later dude,
Clifton
_________

grommet
11-25-2005, 01:12 PM
So what do I say when someone actually asks me "Dude, what's your art about?' or "Explain your concept/intention." I'm dumbstruck. "I want to make fun 3D shapes" doesn't seem to cut it, and even then is that really all I'm about?

When I feel overburdened by thoughts that feel whiney, even for the unhappy fairy, I just make art. It doesn't seem to be about anything at the time, it's only later, in retrospect, that the signposts are evident. It all seems random at the time, but since it's from "me" it's likely to be imbued with some of the baggage -- whether I intend it to or not. I consider them 3-D doodles. Maybe they're even more valid than the painstakingly planned & constructed "statement".
For you... Perhaps they're a container for your joy. You're developing the skills to make art. Keep living your life according to your internal GPS & you'll have something to make art about. It's the journey.
Also, with art school a thesaurus is handy. :D

Julianna
12-04-2005, 02:07 PM
Sculpture. All I really think about it, is that it has to be fun. Enjoyable to look at, touch, experience. I want to make sculpture that everyone can enjoy by simply being in the same room with it, but not at the expense of my own enjoyment. I want, in a way, to make emotive forms, but that's it. Nothing more. Granted, not all sculpture is enjoyable. Some of it is breathtaking, making me feel useless in my awe, others are completely and totally useless, which is fairly disappointing at times. Though more often these days I find young artists around me either attempting to force their concepts on abstract forms insisting that this curve means that and that line means this or trying to shock the viewer into submission with some grosquete and repulsive thing that coerces one into thinking "It must be art." simply by virtue of being what no sane person would place in display.

I think that's a good answer to "Dude, what's your art about?' or "Explain your concept/intention." Don't overthink it.

bloodgroove
12-09-2005, 02:00 PM
What year are you?

The same thing happened to me in junior year. I got over it when I found a good prof in senior year.

tobias
12-09-2005, 07:56 PM
Well i think that you should think less about it and do more if it. This I assume is difficult when you are in school and given assignments and being graded on them but this is I think a problem with our schooling. I dont think you will really know what you want till you get out of there. Too many competing influences and other crap. Take the technical advice and leave the rest. Now on that point i will say disregard anything ive said and figure it out on your own. hahaha.